Best of the bodies

On an unknown forum on the vast expanse of the internet, I read a post about someone switching to a Micro Four Thirds camera body from an existing Nikon system. They posted some images from their old camera as examples of the best they'd achieved with that kit - and that got me thinking about a post I could write for this very blog.

Over the years, I've purchased a number of camera bodies as upgrades to replace my main camera, or as backups to use alongside with or for different scenarios. I initially decided to put all of it into one post, but after I went through the process to do so, it ended up absolutely massive.

So instead, I'll do a post a day covering each of the cameras, which will also allow me to add a bit more commentary around them - I'll post ten images from each which I consider memorable photos, not necessarily brilliant photos. I hope you find them interesting!

Panasonic Lumix GH1
Olympus E-PL1
Panasonic Lumix GH2
Panasonic Lumix GH3
Panasonic Lumix GH4
Panasonic Lumix G9

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Lessons from RIAT 2018

Last weekend I got up stupidly early to travel half way across the country to attend an airshow. But what an airshow! The Royal International Air Tattoo 2018! A word of warning - this is going to be a looooong post. Grab yourself a cup of tea and settle down... I haven't been to an airshow, or at least shot aircraft flying since the Goodwood Revival in 2015, where they had a number of warbirds from the Second World War flying. My equipment back then was my trusty GH3 with the first-generation Lumix 100-300mm lens, and my GM5 with Lumix 14-140mm as backup. These performed well as a pair, allowing me to grab take off, landing, and formation shots with the surprisingly-capable GM5, and the longer, single aircraft detail shots with the GH3. At the time, AF-S was used on both cameras, as I didn't trust the reliability of the continuous auto-focus offered by either - bare in mind that at this point, Panasonic had yet to introduce their Depth from Defocus technology to assist wit

Examples from the PL50-200mm

After I waxed lyrically about it , readers may well have expected a review from me by now of my "recently"-purchased Panasonic Leica f/2.8-4 50-200mm telephoto lens, and I do indeed plan to write one in time. However, I don't seem to be able to find the time to get in front of the keyboard for an extended period. So rather than leave you with nothing, instead I'll provide you with some example shots which I hope provide you with some insight into just how well the lens performs. Some of the images are with the 1.4 teleconverter, which I'll note in the information. I'm heading to Duxford for Flying Legends in a week's time, so will be able to show some images other than nature. Hopefully I'll be able to provide you with a more comprehensive delve into the lens next time I update the site. In the meantime, feast your eyes on these... Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4 ISO200, f/4.5, 1/1600 sec, 200mm ISO200, f/4, 1/250 sec

A dark night, and a brace of Voigtlanders

I fell in love with the Voigtlander f/0.95 17.5mm prime as soon as I mounted it on my GH4 a few years back. It properly sprang to life once I moved over to the Lumix G9 - the higher-resolution viewfinder made it much, much easier to check focus, and I feel that the sensor was able to benefit from the lens more than the GH4's was. Due to coronavirus in the UK, I've left the area where I live on very few occasions. I am lucky in that I have the South Downs to the north, and the English Channel to the south - and both are only a five minute walk away for me. Despite coronavirus, I've ensured that I've kept my Photo 52 challenge up to date. This forces me to get out with my camera so that I at least have one image, no matter how rubbish it is, to show for my week. As the nights have grown longer, the Voigtlander 17.5mm and its 42.5mm brother have both joined me on my evening walks, so I thought I'd show you a few shots I grabbed the other evening whilst traipsing

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