Best of the bodies

On an unknown forum on the vast expanse of the internet, I read a post about someone switching to a Micro Four Thirds camera body from an existing Nikon system. They posted some images from their old camera as examples of the best they'd achieved with that kit - and that got me thinking about a post I could write for this very blog.

Over the years, I've purchased a number of camera bodies as upgrades to replace my main camera, or as backups to use alongside with or for different scenarios. I initially decided to put all of it into one post, but after I went through the process to do so, it ended up absolutely massive.

So instead, I'll do a post a day covering each of the cameras, which will also allow me to add a bit more commentary around them - I'll post ten images from each which I consider memorable photos, not necessarily brilliant photos. I hope you find them interesting!

Panasonic Lumix GH1
Olympus E-PL1
Panasonic Lumix GH2
Panasonic Lumix GH3
Panasonic Lumix GH4
Panasonic Lumix G9

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BOTBs - Panasonic Lumix GH3

Panasonic had realised with the GH1 and GH2 just how much demand there was for high-quality, low-cost mirrorless cameras capable of brilliant video capture. And it was with the 2013-released GH3 that they responded to many of the demands that users had asked for. Panasonic Lumix GH3 January 2014 to December 2016 22500 shots Gone was the multi aspect Panasonic sensor, replaced with a 16 megapixel unit from Sony - the same, it transpires, as used in Olympus's at-the-time recently released OM-D E-M5 . This was a more capable sensor than the one used in the previous model, which helped with better noise handling at higher ISOs and higher-bit-rate video. Gone too was the compact body. Now, the GH3 was a chunkier magnesium alloy affair, and now weather-sealed. It was a huge improvement ergonomically over the GH2 - after shooting airshows for many hours with the GH2, my hand ached, mainly because there wasn't enough room around the handgrip for all fingers. This was no longer th...

Lessons from RIAT 2018

Last weekend I got up stupidly early to travel half way across the country to attend an airshow. But what an airshow! The Royal International Air Tattoo 2018! A word of warning - this is going to be a looooong post. Grab yourself a cup of tea and settle down... I haven't been to an airshow, or at least shot aircraft flying since the Goodwood Revival in 2015, where they had a number of warbirds from the Second World War flying. My equipment back then was my trusty GH3 with the first-generation Lumix 100-300mm lens, and my GM5 with Lumix 14-140mm as backup. These performed well as a pair, allowing me to grab take off, landing, and formation shots with the surprisingly-capable GM5, and the longer, single aircraft detail shots with the GH3. At the time, AF-S was used on both cameras, as I didn't trust the reliability of the continuous auto-focus offered by either - bare in mind that at this point, Panasonic had yet to introduce their Depth from Defocus technology to assist wit...

Panasonic Lumix G9 - review

I have been a Lumix GH-series man for many years, starting with the original GH1. And yet I've rarely used them for video. So historically, why did I pick the GH cameras over the regular G or GX series? Because they tended to have more horsepower under the bonnet to process the high-definition (and later 4K) video files, larger buffers, and usually the latest sensors - and this made them very snappy cameras for photography. When Panasonic announced a top-of-the-range photography-centric camera based around the GH5, my interest was piqued - looking at the specs and comments coming out, this seemed like the ideal camera for me. And so a couple of months back, I received my annual bonus at work, and mere hours later I was the proud owner of a brand new Lumix G9 (the advantage/disadvantage of having Park Cameras half an hour drive away). First things first - it is larger than the GH4. And I don't mean slightly larger, I mean substantially larger. The GH4 look and size were...

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