Skip to main content

BOTBs - Panasonic Lumix GH3

Panasonic had realised with the GH1 and GH2 just how much demand there was for high-quality, low-cost mirrorless cameras capable of brilliant video capture. And it was with the 2013-released GH3 that they responded to many of the demands that users had asked for.
Panasonic Lumix GH3
January 2014 to December 2016
22500 shots


Gone was the multi aspect Panasonic sensor, replaced with a 16 megapixel unit from Sony - the same, it transpires, as used in Olympus's at-the-time recently released OM-D E-M5. This was a more capable sensor than the one used in the previous model, which helped with better noise handling at higher ISOs and higher-bit-rate video.

Gone too was the compact body. Now, the GH3 was a chunkier magnesium alloy affair, and now weather-sealed. It was a huge improvement ergonomically over the GH2 - after shooting airshows for many hours with the GH2, my hand ached, mainly because there wasn't enough room around the handgrip for all fingers. This was no longer the case.
Also, nearly all of the GH3's buttons were ideally placed and in easy reach. A very comfortable camera to use, and one that felt more professional than any Lumix I'd handled previously.

The EVF was again improved, though some found the sequential-field technology and optics meant that it didn't provide quite as sharp an image as the previous model. I personally didn't have this issue, but I also didn't think it was leaps and bounds above the GH2's viewfinder either, despite the faster refresh and higher resolution.

I bought the GH3 again as a replacement - this time for the GH2. I'd began to find that I wanted better high ISO performance from my photography, and though the GH3 was by no means a low-light king, I could happily shoot ISO1600 without too many issues. ISO3200 was also possible, but definitely scene dependent. I'd occasionally go to ISO6400, though this was very noisy.

My GH3 traveled with me all around the globe, and is the most-used camera I've ever owned. Though it felt more like a tool than the GH2 ever did, I still feel that I shot some of my best work using the camera - I still hold the Hong Kong Crossing shot (below) as my favourite photograph that I've ever taken.

OsakaArashiyama
TokyoTokyo
Hong KongHong Kong
LondonEastbourne
LondonReykjavik


Back to Best of the bodies.

Comments

Popular posts from this blog

Lessons from RIAT 2018

Last weekend I got up stupidly early to travel half way across the country to attend an airshow. But what an airshow! The Royal International Air Tattoo 2018! A word of warning - this is going to be a looooong post. Grab yourself a cup of tea and settle down... I haven't been to an airshow, or at least shot aircraft flying since the Goodwood Revival in 2015, where they had a number of warbirds from the Second World War flying. My equipment back then was my trusty GH3 with the first-generation Lumix 100-300mm lens, and my GM5 with Lumix 14-140mm as backup. These performed well as a pair, allowing me to grab take off, landing, and formation shots with the surprisingly-capable GM5, and the longer, single aircraft detail shots with the GH3. At the time, AF-S was used on both cameras, as I didn't trust the reliability of the continuous auto-focus offered by either - bare in mind that at this point, Panasonic had yet to introduce their Depth from Defocus technology to assist wit

Examples from the PL50-200mm

After I waxed lyrically about it , readers may well have expected a review from me by now of my "recently"-purchased Panasonic Leica f/2.8-4 50-200mm telephoto lens, and I do indeed plan to write one in time. However, I don't seem to be able to find the time to get in front of the keyboard for an extended period. So rather than leave you with nothing, instead I'll provide you with some example shots which I hope provide you with some insight into just how well the lens performs. Some of the images are with the 1.4 teleconverter, which I'll note in the information. I'm heading to Duxford for Flying Legends in a week's time, so will be able to show some images other than nature. Hopefully I'll be able to provide you with a more comprehensive delve into the lens next time I update the site. In the meantime, feast your eyes on these... Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4 ISO200, f/4.5, 1/1600 sec, 200mm ISO200, f/4, 1/250 sec

A dark night, and a brace of Voigtlanders

I fell in love with the Voigtlander f/0.95 17.5mm prime as soon as I mounted it on my GH4 a few years back. It properly sprang to life once I moved over to the Lumix G9 - the higher-resolution viewfinder made it much, much easier to check focus, and I feel that the sensor was able to benefit from the lens more than the GH4's was. Due to coronavirus in the UK, I've left the area where I live on very few occasions. I am lucky in that I have the South Downs to the north, and the English Channel to the south - and both are only a five minute walk away for me. Despite coronavirus, I've ensured that I've kept my Photo 52 challenge up to date. This forces me to get out with my camera so that I at least have one image, no matter how rubbish it is, to show for my week. As the nights have grown longer, the Voigtlander 17.5mm and its 42.5mm brother have both joined me on my evening walks, so I thought I'd show you a few shots I grabbed the other evening whilst traipsing