Skip to main content

BOTBs - Panasonic Lumix GM5

Come the summer of 2015, my Olympus E-PL1 was beginning to show its age. It had served me well on a variety of jaunts across the South East of England in preparation for a big walk - the BHF London to Brighton 100k Trek. The E-PL1 joined me on this walk to, and meant that I could document the trek from start to finish.
Panasonic Lumix GM5
August 2015 to Now
4200+ shots

Having switched to the GH3 at the beginning of the year though, I was getting used to better image quality and better editing latitude from the RAW files, and the old E-PL1 just didn't cut it any more. It was telling that when trying to sell the camera on eBay, I didn't get a single bid on the auction - it wasn't just me that didn't want the ancient Olympus.

I already had my eye on what I would be replacing it with. I wanted another backup camera that I could carry around with me that could also take advantage of my now-large lens collection. After struggling with the parred-back controls of the E-PL1, and the horrible Olympus user interface (no amount of Super Control Panel talk will make me change my mind), I'd already consigned any Olympus body to the "No thanks!" pile. Which left me with either the Lumix GF7 or the even smaller Lumix GM1 or GM5. Since you're reading this post, you already know what I went for!

The GM5 is better in every way than the E-PL1. Better sensor, better build quality, better controls, better user interface, faster SD card read/write speeds, better LCD and with touchscreen, Full HD video, quicker auto-focus, more auto-focus points, faster burst, a control dial, and to top it all off, a built-in electronic viewfinder.
The only places it is deficient is in flash-sync speed and a lack of IBIS - though none of my main bodies had sensor-based stabilisation at that point either.

The GM5 really is a marvel of modern electronics. The amount of technology that Panasonic managed to squeeze into such a small body. Much like holding a film rangefinder, it demands to be picked up. And though the buttons are a bit of a squeeze on the back, I rarely find myself hitting the wrong button. The inclusion of the EVF makes the GM5 ever so slightly taller than the earlier GM1, and though it isn't the brighter, biggest or sharpest EVF out there, it is useful in bright sunshine to compose your scene.

It has been a while since I've been on a multi-mile walk, so nowadays my GM5 is mainly used for home photography and social events. The 16 megapixel sensor in there is more than happy dealing with ISO2000, and at a push, double that.

My advice - if you can find a GM5, buy it. It is a lovely little camera, compelling even, and you'll be amazed at just what can be accomplished from the tiny powerhouse.

GoodwoodSouth Downs
South DownsSaltdean
South DownsBrighton
BrightonBrighton
Brighton
Royal Albert Hall


Comments

Popular posts from this blog

A dark night, and a brace of Voigtlanders

I fell in love with the Voigtlander f/0.95 17.5mm prime as soon as I mounted it on my GH4 a few years back. It properly sprang to life once I moved over to the Lumix G9 - the higher-resolution viewfinder made it much, much easier to check focus, and I feel that the sensor was able to benefit from the lens more than the GH4's was. Due to coronavirus in the UK, I've left the area where I live on very few occasions. I am lucky in that I have the South Downs to the north, and the English Channel to the south - and both are only a five minute walk away for me. Despite coronavirus, I've ensured that I've kept my Photo 52 challenge up to date. This forces me to get out with my camera so that I at least have one image, no matter how rubbish it is, to show for my week. As the nights have grown longer, the Voigtlander 17.5mm and its 42.5mm brother have both joined me on my evening walks, so I thought I'd show you a few shots I grabbed the other evening whilst traipsing ...

BOTBs - Panasonic Lumix GH3

Panasonic had realised with the GH1 and GH2 just how much demand there was for high-quality, low-cost mirrorless cameras capable of brilliant video capture. And it was with the 2013-released GH3 that they responded to many of the demands that users had asked for. Panasonic Lumix GH3 January 2014 to December 2016 22500 shots Gone was the multi aspect Panasonic sensor, replaced with a 16 megapixel unit from Sony - the same, it transpires, as used in Olympus's at-the-time recently released OM-D E-M5 . This was a more capable sensor than the one used in the previous model, which helped with better noise handling at higher ISOs and higher-bit-rate video. Gone too was the compact body. Now, the GH3 was a chunkier magnesium alloy affair, and now weather-sealed. It was a huge improvement ergonomically over the GH2 - after shooting airshows for many hours with the GH2, my hand ached, mainly because there wasn't enough room around the handgrip for all fingers. This was no longer th...

Lessons from RIAT 2018

Last weekend I got up stupidly early to travel half way across the country to attend an airshow. But what an airshow! The Royal International Air Tattoo 2018! A word of warning - this is going to be a looooong post. Grab yourself a cup of tea and settle down... I haven't been to an airshow, or at least shot aircraft flying since the Goodwood Revival in 2015, where they had a number of warbirds from the Second World War flying. My equipment back then was my trusty GH3 with the first-generation Lumix 100-300mm lens, and my GM5 with Lumix 14-140mm as backup. These performed well as a pair, allowing me to grab take off, landing, and formation shots with the surprisingly-capable GM5, and the longer, single aircraft detail shots with the GH3. At the time, AF-S was used on both cameras, as I didn't trust the reliability of the continuous auto-focus offered by either - bare in mind that at this point, Panasonic had yet to introduce their Depth from Defocus technology to assist wit...